Although he combines prosaic motions with classically influenced technique, he has ne’er been classically trained. Wade chiefly focuses on Hip Hop which is the root of what he does. He tries every manner of dance and puts spots and pieces of each genre into his ain personal manner therefore it is ever germinating and is ever altering. He ne’er likes being choreographed or being taught, he is ever free-styling and making his ain thing.
Robson has ever had an extraordinary oculus for item. In every dance piece that he does, he would make a narrative line or a subject before choreographing the dance stairss. He loves to state a narrative through his dance pieces alternatively of merely stairss that flows with the music. Every determination made is important to the secret plan of the piece right down to the costumes. He would visualise his ends in his caput in inside informations and that would acquire him to accomplish what he wants. Wade has a really alone attack to puting stage dancing. He would get down off with a feeling and a vision so he would take the music that would suit that specific vision. He would guarantee the scene of the phase would be in line with the temper. It would n’t merely be dancing or choreographing, it would be an experience of art.
His originative procedure has become more organic over the old ages. It is due to the alteration in his motion vocabulary that goes beyond his earlier street manner. When he was in his earlier dad stage, he would do certain he was ever ready with everything worked out. Of late, he would work out the foundation and leave the remainder to be created along the manner. Wade put his new attack to the trial when he was asked to work with the world telecasting show, So You Think You Can Dance.
Strange characters and eldritch dark universes are ‘his thing ‘ such as one of his dance stage dancings, the ‘RAMALAMA ‘ that was performed in the show, So You Think You Can Dance. It had a zombie subject and was performed stagily, dressed in Victorian attire. It had lyrical elements and deformation involved. It looked a small like Michael Jackson ‘s “ THRILLER ” picture but it had a small turn to it that was alone and fresh. Wade has received many awards for his astonishing stage dancings including this stage dancing that brought him an Emmy Award in 2007 for Outstanding Choreography.
Wade Robson tends to set himself in disputing state of affairss that allows him to force his creativeness to greater highs. He is able to transform and turn himself into different characters harmonizing to his artistic visions. His stage dancing has no identifiable manner. Apart from the living dead like stage dancing, he did a wholly different manner of dance in his Dancing With the Stars figure in 2007 that was a dark, circus-like, funhouse atmosphere. He had his terpsichoreans dress up as circus performing artists and had a phase puting with circus props. The music that was chosen had a merriment and playful melody and it gave off the vibration of being in an existent circus.
It is astonishing how Wade takes an mundane life experience and expands it to new degrees. His reading of a bird and a flower added with his unbelievable imaginativeness and creativeness, he produced a piece called ‘Humming bird and the Flower ‘ which got him another Emmy Award 2008 for Outstanding Choreography. It was showcased on So You Think You Can Dance in Season 3 by its finalists, a Nipponese Hip Hop terpsichorean, Hok Konishi and a Contemporary terpsichorean, Jamie Goodwin. For this figure, he and his married woman conceptualized it and designed the costumes together. It was a love narrative of how two really different people/things could come together as one and how they were able to get the better of their differences to be with one another in harmoniousness. It was this peculiar piece that he had set the rehearsal infinite with lit tapers and played the chosen music to put the temper for the figure.
His attack to dance is simple yet hard. He follows what his bosom desires and does non allow popular dance or the current tendency to interrupt what he wants to make. For this new found originative attack to dance, his stage dancing has become more original and unlike others. He goes with the flow of things, the flow of the narrative. Wade Robson puts himself out of his comfort zone non merely to dispute himself but besides to the general populace in hope that he continues to force his bounds and boundaries. In that manner, he would be able to act upon and force the bounds of popular dance.
He has impacted many people to step up their game and inspire turning choreographers to believe outside the box and to happen possibilities of art in everything. He has made it to the top for his unbelievable gift, his originative vision and manner, his attack to dance. He has non merely made an unbelievable impact on dance, he has pushed the bound of how we look at dance.
I am inspired by Wade Robson ‘s creativeness and success. He was able to construct a name for himself without any proper dance preparation. It gives me hope that I would be able to accomplish my dreams every bit long as I put my bosom into it and hold the thrust to go on dancing for the remainder of my life. I was non decently trained either and coming to LASALLE has been rather a hard but exciting experience for me. It is an mundane challenge to be dancing with friends who good in techniques and have classical preparation background. Wade Robson has given me faith and hope to believe in myself that I am able to accomplish my end, which is to go a great and inspiring terpsichorean.